The religious art of Chu culture: a case study of Tianxingguan Tomb 2.
2010
Hochschulschrift
Zugriff:
Li, Kin Sum.
Thesis (M.Phil.)--Chinese University of Hong Kong, 2010.
Includes bibliographical references (leaves 129-148).
in English and Chinese; includes Chinese.
Title --- p.i
p.iv
Acknowledgement --- p.v
Table of Contents --- p.vii
Chronology --- p.x
Chapter 1. --- Introduction --- p.1
Chapter a. --- Literature review
Chapter b. --- Introduction to Tianxingguan (TXG) Tomb2
Chapter i. --- Importance of the tomb
Chapter ii. --- Dating of TXG Tomb2
Chapter c. --- Defining Chu religious art
Chapter i. --- "What is ""Chu""?"
Chapter ii. --- "What is ""Chu religious art"""
Chapter d. --- Methodology
Chapter 2. --- "The drum stand, the statue and the ""tomb guardian""" --- p.21
Chapter a. --- General introduction to three artifacts in TXG Tomb2
Chapter b. --- The drum stand in the form of two birds on two tigers
Chapter i. --- Development of our understanding of the artistic features of the drum stand
Chapter ii. --- Its musical function
Chapter iii. --- "Contextual relationship of the drum stand: dancing, feasting, hunting, taming animals and shamanism"
Chapter c. --- The statue of an antlered bird standing on a tiger
Chapter i. --- The statue and the antlers
Chapter ii. --- Roles of the deer
Chapter 1. --- Deer and music
Chapter 2. --- Deer as mounts: transcendence and immortality
Chapter 3. --- Deer antlers as weapons
Chapter 4. --- Multifunctional deer
Chapter iii. --- Functions of the statue
Chapter d. --- "The ""tomb guardian"""
Chapter i. --- "Typology of the ""tomb guardians"""
Chapter 1. --- Single and double-animal-headed sculpture
Chapter 2. --- Human-headed sculptures
Chapter 3. --- Sculptures in human shape
Chapter 4. --- Sculptures in animal shape
Chapter 5. --- Sculptures in abstract human shape
Chapter 6. --- Miscellaneous
Chapter ii. --- "Nomenclatures and functions of the ""tomb guardians"""
Chapter 1. --- Guarding role
Chapter 2. --- Musical function
Chapter e. --- "The drum stand, the statue and the tomb guardian"
Chapter 3. --- The bird-man figure and the toad --- p.80
Chapter a. --- General introduction to the TXG Tomb 2 lacquered bird-man figure and hybrid toad
Chapter b. --- Bird-man figures
Chapter i. --- "ossible cultural interactions among Xin'gan, Sanxingdui and Chu cultures"
Chapter ii. --- Bird-man figures in the Warring States and Haneriod
Chapter 1. --- Bird-man figures on four bronze vessels
Chapter 2. --- ossible origins of the head ornaments
Chapter 3. --- Bird-man figures' taming animals
Chapter c. --- Toads
Chapter i. --- Sanxingdui stone toad
Chapter ii. --- Frogs in Dian culture
Chapter iii. --- Toads in Chu culture
Chapter iv. --- Toads in Han art
Chapter 1. --- Toads in the legend of Xiwangmu/Queen Mother of the West
Chapter d. --- Bird-man figures and toads
Chapter 4. --- Conclusion --- p.121
Chapter a. --- The assemblage of religious art
Chapter b. --- Hierarchies ofower andower relationships
Chapter c. --- Religious transformation
Bibliography --- p.129
Illustrations (separate binding)
Chapter 1. --- p.2
Chapter 2. --- p.6
Chapter 3. --- p.42
| Titel: |
The religious art of Chu culture: a case study of Tianxingguan Tomb 2.
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|---|---|
| Autor/in / Beteiligte Person: | Li, Kin Sum. ; Chinese University of Hong Kong Graduate School. Division of East Asian Studies. |
| Link: | |
| Veröffentlichung: | 2010 |
| Medientyp: | Hochschulschrift |
| Schlagwort: |
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