Sentidos do fotográfico : campo, mediação, receção
2021
Online
unknown
Zugriff:
The overwhelming proliferation of images and of its multiple hybrid forms are significant phenomena of contemporary visual culture. In this scenario of imagery conflagration, stimulated by the recent innovations in image and communication technologies, but also by the softening of the medium specificities in the field of arts, we believe that it is essential to rethink the visual nature and horizon that it is radiated from each mean of representation. In this sense, this dissertation aims at a comprehensive and transmedia reflection on photography, as a representation device and as a category linked to the experience of perception, imagination and memory. We are interested to inquire the qualities, migrations and articulations of what we define as the photographic, a notion that cannot be confined to the field of photography because it comprises modes of perceiving, thinking and imagining that have become transversal to several image genres, genealogies and practices – from painting to photography, through cinema and video, and more recent by the “new” images associates to the digital devices.The themes and works analysed throughout the dissertation aim to sustain the idea that in this critical context – between the technological supplanting and the undifferentiated and indiscernible dispersion of the properties of photography – we have been witnessing impetus of reconfiguration and reinvention of the medium that reinforce the value of the photographic as a peculiar substance, bound to a aesthetical and visual regime that articulates aspects linked to the experience of reality, the experience of time, to the possibilities of a play with the appearances in which its projective, speculative and mnemonic competences remain necessary and strongly active and that, in a certain sense, emphasize the imagery level of reception and the (free, creative, imaginative, critical) place that is still possible to allocate to the contemporary spectator, before the art, before the world.
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Sentidos do fotográfico : campo, mediação, receção
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Autor/in / Beteiligte Person: | Silva, António Sérgio Mah Alves da ; Repositório da Universidade de Lisboa |
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Veröffentlichung: | 2021 |
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